Published in the latest volume of the Dylan Review (3.1, Summer 2021, pp. 37-47) is my review of:
Sean Latham (ed.), The World of Bob Dylan, Cambridge, UK: Cambridge University Press, 2021, xix + 349 pp., ISBN 978-1-108-49951-4
The review can be found online at: https://thedylanreview.org/2021/07/25/review-of-the-world-of-bob-dylan/. For DR 3.1 as a whole, see my note on this blog (today’s date).
A extract from the review and summary of the book chapters follow.
EXTRACT
The volume under review is a multi-author study of the figure and work of Bob Dylan from an extremely wide range of points of view. It is edited by Sean Latham, Walter Professor of English and Director of the Institute for Bob Dylan Studies at the University of Tulsa, Oklahoma. Tulsa – also home to the Bob Dylan Archive and the Woody Guthrie Center – hosted the major conference held from 30 May to 2 June 2019 under the title ‘The World of Bob Dylan’ (in which this reviewer was a participant), although it should be stressed that this volume, despite the shared name, is not the proceedings of that conference. It may also be useful here to distinguish between: the Institute for Bob Dylan Studies (an academic research cell); the Bob Dylan Archive (a collection of over 100,000 objects for consultation on appointment, purchased in 2016 by Tulsa’s George Kaiser Family Foundation in partnership with the University of Tulsa, and held at the city’s Gilcrease Museum); and the Bob Dylan Center (to be the public face of Dylan in Tulsa, scheduled for opening to the general public in 2022).
The World of Bob Dylan is presented as ‘the first published project to emerge from the Institute for Bob Dylan Studies’. It brings together 28 texts (introduction, chronology and 26 chapters proper) by a total of 26 contributors, the editor included. 18 are male and 8 female, while 22 are described as based in the US, one in Canada, two in the UK and one in Denmark. Most chapters appear to have been purpose-written for the volume. Two at least, however, originate in the 2019 Tulsa conference. The chapter by Greil Marcus is explicitly credited to his Tulsa keynote speech; that by Ann Powers, another keynoter, reads as if the publication of her text from the event; and there may be more. The role of the archive as a new determinant in Dylan studies is reflected in the fact that two of the contributors quote and formally credit material retrieved via their personal research activities there (…)
THE WORLD OF BOB DYLAN: MAIN CHAPTERS
Introduction – Sean Latham
A Chronology of Bob Dylan’s life – Kevin Dettmar and Sean Latham
The Biographies – Andrew Muir
Songwriting – Sean Latham
The Singles: A playlist for framing Dylan’s recording art – Keith Negus
Folk Music – Ronald D. Cohen
The Blues: ‘Kill Everybody Ever Done Me Wrong’ – Greil Marcus
Gospel Music – Gayle Wald
Country Music: Dylan, Cash and the projection of authenticity – Leigh H. Edwards
Rock Music – Ira Wells
Roots Music: Born in a basement – Kim Ruehl
The Great American Songbook – Larry Starr
American Literature – Florence Dore
World Literature – Anne-Marie Mai
The Beats – Steven Belletto
Theatre – Damian A. Carpenter
Visual Arts: Goya’s Kiss – Raphael Falco
Borrowing – Kevin Dettmar
Judaism: Saturnine Melancholy and Dylan’s Jewish Gnosis – Elliot R. Wolfson
Christianity: An exegesis of ‘Modern Times’ – Andrew McCarron
The Civil Rights Movement – Will Kaufman
The Counterculture – Michael J. Kramer
Gender and Sexuality: Bob Dylan’s Body – Ann Powers
Justice – Lisa O’Neill-Sanders
The Bob Dylan Brand – Devon Powers
The Nobel Prize: The Dramaturgy of Consecration – James F. English
Dylan: Stardom and Freedom – Donald R. Shumway
The Bob Dylan Archive – Mark A. Davidson